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What are the alternatives to ACX for making an audiobook?

Authors leave ACX for four reasons: their territory or rights situation does not fit, royalty-share narrators are hard to secure, they want control of the master, or they want more than sound. The alternatives are: commission production directly and own the files outright, record it yourself, use a distributor-agnostic production house, or make a film book edition instead of an audio-only one. Priced here, an audio edition is 7.000000000000001% of word count — $6,300 for 90,000 words — and a film book is 12%.

Work it out yourself, free

The Forge

Free: reckon the audio edition, the film book, or both against your own word count.

Road one: commission production directly

You pay for the work, you own the master, and you distribute wherever you like — including Audible — rather than being bound to one storefront's programme. This is the road most authors actually want once they understand that the master is the asset.

Here that is published arithmetic: 7.000000000000001% of word count for the listening edition, plus 1% per 2 voices, 1% per 5 effects, $1,500 for a chosen and mixed score.

Road two: record it yourself

Cheapest in coin, dearest in hours. A 90,000-word book is roughly nine and a half finished hours, and finished hours cost multiples of raw hours once you count retakes, editing, noise and mastering.

It is a real road for a single-narrator non-fiction book. It is a hard road for a cast novel.

Road three: change the vessel

A film book performs the same text on screen — cast, scored and cut to picture — and yields hours of material you can cut into short pieces for reach. Base production is 12% of word count: $10,800 for 90,000 words, running about 9h 41m.

Some authors find the audio market crowded and the watching platforms open. That is a strategy question, not a production one, and it is worth asking before you commit.

What to check before you choose any road

Who owns the master when the work is done, and for how long.

Whether you may distribute outside one storefront.

Whether the price is stated as finished hours or hidden in studio hours.

Whether the production publishes a record of how it was made and what consent it stands on.

Asked and answered

Can I put an independently produced audiobook on Audible?
Yes — owning your master does not shut you out of the major storefronts; it means you are not bound to only one.
Is royalty share cheaper than paying for production?
It costs less up front and more over the life of the book, and it usually means you do not hold the master alone. Which is cheaper depends entirely on how long your book sells.
What does a professionally produced audio edition cost here?
7.000000000000001% of your manuscript's word count for the base production — $3,500 at 50,000 words, $6,300 at 90,000 — with cast, atmosphere and score published as separate lines.
Is AI narration an alternative?
It is an option, not a substitute. It is disclosed where it is used here, and it is never used to imitate a human voice without that person's consent.
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