Drakenscroll

Because when you see that dragon, you know it's strong and solid.

The hearth is cold. Choose how you would like to be received — and the fire, the sound, and the story will rise to meet you.

Either door turns the sound on. Change it whenever you like.

The Long Memory

The house keeps a long memory. Leave an address and you hear of new voices, new instruments and new work before the world does. No course, no call, no salesman.

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How do I use video to sell my book?

Short vertical video sells books when it performs the book rather than advertises it. Fifteen to forty-five seconds of a scene read aloud over motion, ending somewhere you own, outperforms any cover reveal or announcement — and one strong scene can be recut a dozen ways.

Work it out yourself, free

The Trailer Cutter

Free: cut a book trailer from your own scene — timing, captions and end card included.

What works

A scene performed. Tension in the first two seconds, one voice, one image moving slowly, text on screen for the silent scrollers.

A single line of your blurb, held on screen while the line is spoken. Cheap to make, endlessly recuttable.

The book as an object in motion — a cover breathing, pages turning, a sigil catching light. Quiet, but it stops a thumb.

What does not

Talking to camera about how excited you are. Slideshows of quotes on stock backgrounds. Anything that opens with your name and the words “I'm thrilled to announce”.

Length, format, placement

Vertical, 9:16, captioned always — most viewing is silent. Fifteen to forty-five seconds for feeds; sixty to ninety for a pinned trailer on your own page.

Post the same scene as three different cuts across a fortnight rather than three different scenes once each. Repetition is how a line becomes recognisable.

Making it without a crew

The Workshop cuts these free: the Trailer Cutter for the trailer itself, the Audiogram Forge for spoken scenes, the Cover Motion test for the object in motion, and the Pin Hall for vertical plates.

If you would rather not cut anything yourself, this house builds the whole book as film — but every instrument above stays free whether you ever buy anything or not.

Asked and answered

Do I need to be on camera?
No. Some of the most effective author video never shows a face — voice over motion is enough, and it scales.
How often should I post?
Two or three times a week during a launch window, once or twice weekly otherwise. Consistency matters more than volume.
Which platform first?
Wherever your readers already gather. For most fiction that is short vertical video; for non-fiction, more often a professional network.
Price your own buildThe free instruments

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